The cheating charmer who broke Hattie's heart:
Carry On star's affair with a lorry driver revealed in new film
By Claudia Joseph from The Daily Mail
She could be kindly, it is true, and occasionally romantic. But for most of her long film and television career, Hattie Jacques was stern. Playing a never-ending roster of head¬mistresses, matrons and disappointed virgins, the outsize actress became a national symbol of shocked propriety.
So her many fans would have been surprised had they known the truth about her private life. Away from the wards of the Carry On films, Hattie was defiantly unconventional and pursued a colourful existence quite at odds with the roles she played – and with the drab monotony of a country still struggling to recover from the Second World War.
Besotted: Hattie and John during the Sixties, with their affair in full swing
A 28-year-old shorthand typist, Brenda had moved back home with her parents in September 1961 – six weeks after the birth of the couple’s second child, Mark – and after their eldest, John, was diagnosed with leukaemia at the age of just two years and five months. Schofield, a driver for the Harlem Globetrotters, was looking for a distraction.
For all her apparent confidence and charm, there was one man who broke Hattie’s heart – a toyboy who callously rejected her, throwing her into despair
Handsome and charismatic, prompting Barbara Windsor to describe him a ‘gorgeous bit of crumpet’, it was only a matter of time before Hattie succumbed to his charms. One night after a charity benefit, they ended up in bed and embarked on a passionate affair. It was Hattie to whom Schofield turned after the death of the four-year-old in May 1963.
Now, speaking for the first time, Brenda, 76, says: ‘John was not a good dad – he was never cut out to be a father – but he was a charismatic personality and he broke a few hearts in those days.
‘Our split-up was totally amicable. We just gradually grew apart. When you have a sick child, you handle it in different ways. John wanted to go out and party while I was concentrating on looking after our son. In the end, I just realised that he was not there when I wanted him to be, so we separated. But we remained friends and my second husband Victor and I would go and visit him and Hattie.’
Hattie’s biographer, Andrew Merriman, describes John as a ‘devastatingly handsome, charismatic East Ender, to whom she was immediately attracted’, adding: ‘He was articulate, charming and funny, and flattered Hattie shamelessly.
‘Hattie quickly became besotted with him and, being so unconfident about her own looks, couldn’t believe that someone so stunningly attractive could find her equally seductive.’
Carry On: Ruth Jones as Hattie in the new BBC drama
Within months, Schofield had moved out of his home in Manor Park – he barely saw his young son Mark again – and become a lodger at Hattie’s chaotic marital home, in Eardley Crescent, Earl’s Court – where friends and acquaintances regularly ‘crashed’ in spare rooms.
Schofield slept on the sofa when Le Mesurier was at home and shared Hattie’s bed when her husband was away on location.
Describing Schofield as ‘a very handsome man with lots of charm’, Le Mesurier’s third wife Joan says: ‘He gave Hattie the undivided attention and support that John, working away from home so frequently, was unable to do. Schofield was earthy, sexy and rough and made her feel young again.’
Handsome and charismatic, prompting Barbara Windsor to describe him a ‘gorgeous bit of crumpet’, it was only a matter of time before Hattie succumbed to his charms.
The couple’s marriage had been widely viewed as one of the most secure in showbusiness and, for a while, Le Mesurier was oblivious to the affair going on under his nose. After all, Schofield was genuinely popular with the children.
‘Robin and Kim took an immediate liking to this character who played football with them, took them on outings and was much more outgoing than their dad, who they adored but who was much less physically demonstrative,’ says Merriman.
‘The boys were used to Eardley Crescent being full of their parents’ friends and companions and so another “lodger” was completely in keeping with their chaotic lifestyle. They naturally didn’t have a clue about what was really going on.’
Ruth Jones as Hattie in the new BBC drama
It was only when filming the 1964 movie The Moon-Spinners, with Hayley Mills, that Le Mesurier finally realised that something was badly wrong at home. Even then he thought the affair would blow over, hoping against the odds that he could save his marriage.
'A reformed man': John Schofield with his second wife Anne, a year before his death in 2003
‘So much was clear to me when I returned from a few weeks on location to find that Schofield was well on the way to acting the part of a surrogate father,’ he writes in his auto¬biography. ‘Certainly the children enjoyed his happy-go-lucky ways and pestered him to take them bowling or on other exciting treats.
‘Hattie tried to make light of the latest change in our domestic routine. After all, we ran an open house with friends popping in unannounced and not infrequently staying with us for days or weeks on end.
'A reformed man': John Schofield with his second wife Anne, a year before his death in 2003
‘But it would have been foolish not to know that this was different. I could have walked out but whatever my failings, I loved Hattie and the children and I was certain – I had to be certain – that we could repair the damage. Jealousy is not in my character and I held firmly to the belief that Hattie was in control of her emotions.’
Le Mesurier found it increasingly hard to cope with the situation and flew to Tangiers for a break. But he fell ill on his arrival and ended up in hospital in Gibraltar with a collapsed lung, pneumonia and jaundice after trying to make his way back home.
Hattie immediately flew out to Gibraltar for a week – with her lover – but left her husband to recuperate in hospital when she returned to Pinewood.
On his return home a month later, things had become even more strained. ‘It was a curious sort of homecoming when I was not altogether certain of a house to come back to,’ continues Le Mesurier. ‘I knew that only a miracle could save my marriage but I also knew Hattie would not throw me out of the house
.'Schofield was earthy, sexy and rough and made her feel young again.’
‘The atmosphere was heavy to say the least. From the moment of my reappearance, John Schofield made clear his opinion that I should do the decent thing and quietly disappear.’
But instead, Le Mesurier persevered to save his marriage, in the hope that Hattie would finally see sense. It was only after she declared openly her love for his rival, that
Le Mesurier realised he had lost his wife to her younger boyfriend.
The final straw came when Schofield moved into the master bedroom, moving Le Mesurier’s belongings into a loft room. Yet even then he did not move out.
A chance introduction at The Establishment, a drinking club owned by comedian Peter Cook, was to pave the way for Le Mesurier and Hattie’s divorce.
Family friend Bruce Copp introduced Le Mesurier to Joan Mallin, a 33-year-old clerk at Marylebone Labour Exchange, who worked in the evenings behind the bar at the Queen’s Theatre in Shaftesbury Avenue and encouraged by Hattie, who invited Joan to a party at Eardley Crescent, they began dating. At Christmas 1964, more than a year after Schofield had moved in, Le Mesurier packed his bags.
The pair were finally divorced on August 31, 1965 after more than 15 years of marriage. Ever the gentleman, he had admitted adultery with Joan to save Hattie’s reputation. He and Joan married the following year.
After Le Mesurier left the family home, Hattie settled down to a life of domestic bliss with Schofield, who would help her look after the children and take her away for romantic weekends.
But it was not to last. Supported by Hattie financially – she invested in many of his madcap schemes – he was lured into the music world, trying his hand as a band manager.
It was the beginning of the end. Schofield began to try to seduce a number of Hattie’s friends – even trying to woo the newlywed Joan Le Mesurier. He allegedly also became violent towards Hattie – although he never hurt his first wife.
Bruce Copp, who ran the Chelsea restaurant The Hungry Horse, remembered Hattie going to visit him, in dark glasses and a headscarf, with a cut below her eye. She subsequently admitted that Schofield had hit her. Le Mesurier also recalled her visiting him in hospital with a black eye.
Carry On Loving: John Le Mesurier with Hattie Jacques before their divorce in 1965
‘Hattie arrived one morning with some mail and magazines, coupled with the good news that I was going to be let out in three days, time,’ he wrote. ‘She was wearing a pair of dark glasses. She said that she had bumped into something and given herself a black eye. I knew better.
‘The truth was that she had been in a fight with Schofield – he was jealous of Hattie’s visits to me and felt threatened.’
The end came during the summer of 1966, just months after Le Mesurier remarried. Hattie was filming The Bobo in Rome, with Peter Sellers and his wife Britt Ekland, leaving Schofield at home looking after the children. When he visited her on location, they had a huge row, in which Schofield admitted he had fallen in love with another woman.
The moment is dramatised in Hattie, with her sitting on the edge of a rumpled bed in an ornate hotel room in Rome, flowers strewn around her feet and a champagne bucket kicked over on the floor.
‘Do you think you could send a car for me?’ she sobs down the telephone to her film bosses at Warner Brothers, who want to know why she is not on set. ‘My driver seems to have gone.’
Back at home, Hattie was admitted to hospital with a kidney infection. Visiting her in hospital to tell her their relationship was over, Schofield flung a gold medallion she had given him, inscribed with the words ‘I love you’ on to her hospital bed and stormed out, neglecting to collect his possessions from Eardley Crescent or even to say goodbye to her sons.
Carry On Matron: Hattie Jacques playing her most famous character alongside Joan Sims in the 1972 film
Heartbroken by his callous rejection, Hattie remained inconsolable, sobbing down the phone to friends. She slimmed down and placed a lonely hearts’ advertisement in a magazine, but she was destined to remain alone.
For his part, Schofield concentrated on his career as a music manager, signing the rock band East Of Eden, which went on to have a Top 10 hit with Jig A Jig.
He married ‘the other woman’ – his private secretary Anne Spencer, who was 14 years his junior – at St Pancras Register Office, on June 18, 1969, and tried to settle down to a quieter life.
But The Mail on Sunday has discovered that he could not remain faithful to her, either. Despite his previous behaviour, Hattie regularly met Schofield for passionate assignations during the Seventies. But by the time Hattie died of a heart attack in 1980, aged 58, Schofield, by then 51, appears to have become a reformed man.
A keen fisherman and sailor, he moved from Hertfordshire to Brixham, in Devon, where he had holidayed with first wife Brenda when they were courting. Here he settled happily into a life of anonymity, doing The Times crossword and pottering around the seaside.
He died at Torbay Hospital on January 23, 2003, shortly after celebrating his 33rd wedding anniversary. He suffered a stroke, after having been struck down by a rare virus, which damaged his heart and lungs.
‘John did the crossword every day, his widow said after placing a death notice in the newspaper,’ said a close friend. ‘He used to say, “I’ll just check the obituaries to start to see if I’m still here.” He had a wicked sense of humour and I knew he’d enjoy the joke.
‘It is far too easy to throw mud at a dead man,’ the friend added. ‘It is a lifetime away. The John we knew is not the man we recognise in the book or the TV programme.’