Synopsis
It was inevitable
that in the year that Khyber and Camping were made and released
something would happen for Television. Peter Eton asked for permission
to make the first, and probably best, TV spin-off. It was broadcast on
Christmas Eve, 1969 and was in the ilk of a Morecambe and Wise-like show
and so became essential watching for British families.
The script from
Talbot Rothwell made it the funniest of the four Christmas specials that
were made and took the traditional path of a Christmas special and
recreated Dicken’s A Christmas Carol with as many double entendres in
sight as possible. Being the Carry Ons they also added a dash of Hammer
House Of Horror and Pantomime for good measure.
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Sid chuckles and
sneers his way through the pieces as Ebenezer Scrooge and acts as the
central theme to link all the other comical sections together. Terry
Scott jumps to second billing for this show due to his TV record and
even special guest, Frankie Howerd, pops in for priceless cameos and
stops the show at one point and goes into his stand-up routine.SSS
The real fun
starts when the Carry Oners that are more at home on the stage than in
front of a camera get going. Suspended from a wire Charles Hawtrey pops
in as a Christmas Fairy and grants Bresslaw’s sympathetic and hulking,
Bob Cratchit, his wishes. Charlie returns later on in the piece as a
comic variation on Marley’s Ghost opposite the totally stunned Sid who
just lets Hawtrey get on with it. (Sid was never very comfortable at
ad-libbing). In another segment Terry Scott’s Frank ‘n’ Stein enables
Rothwell to resurrect images of Carry On Screaming with some typical
horror spoofs. Peter Butterworth flies in as Count Dracula and at this
point the script is thrown away as Scott and Butterworth pay little
regard to it and the two panto ‘pros’ go into a tongue-in-cheek sequence
of corpsing, ad-libbing and knowing expressions. Pure genius.
Barbara Windsor
shows her face as a sexiful ghost who tells a story of the failing poet
Robert Browning, played semi-tragically by Frankie Howerd, against the
love of his life, Hattie Jacques.
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